Elements In "The Road Not Taken" Essay examples
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In the poem “The Road Not Taken”, author Robert Frost uses the simple image of a road to represent a person’s journey through life. A well-established poet, Frost does a proficient job of transforming a seemingly common road to one of great importance, which along the way helps one identify who they really are. This poem is one of self-discovery. Frost incorporates strong elements of poetry such as theme, symbolism, rhyme scheme, diction, imagery, and tone to help create one of his most well known pieces about the human experience.
The main theme of the poem that Frost attempts to convey is how important the decisions that one makes can be, and how they affect one’s future. In…show more content…
Another aspect of the poem that is well crafted, and helps it flow smoothly to the reader is its repetitive rhyme scheme that uses the same structure for each stanza. The poem is comprised of four stanzas, each consisting of five lines. Within the stanzas the first, third, and fourth lines rhyme, leaving the second and fifth with a rhyme of their own. The poem is also written as a first-person narrative, which makes it clearer for the reader to follow. This format and style shows an obvious scheme with organization done by Frost. Along with the order of the poem, Frost makes good use of diction to help express a feeling of seriousness by using more scholarly words. Instead of simply stating that one of the roads was less worn, he specifies that it was not “trodden”. Frost also gives a more vivid description of the road by describing how it “diverged”, rather than saying that it split or separated. Through the choice of articulate diction, this element helps Frost better describe the images of the poem.
Frost clearly uses these strong images to help portray the setting of the poem. The woods that surround the roads are described as “a yellow wood”. The main path was “bent in the undergrowth” (5); while the path that the speaker chose was still “grassy” from not being traveled on. At the end of the poem the speaker is looking back on the decision of which road they chose, and is said to be “telling
Four stanzas, each of five lines in length (a quintrain), with a mix of iambic and anapaestic tetrameter, producing a steady rhythmical four beat first person narrative. Most common speech is a combination of iambs and anapaests, so Frost chose his lines to reflect this:
Two roads diverged in a yellow wood,
And sorry I could not travel both
This simple looking poem, mostly monosyllabic, has a traditional rhyme scheme of abaab which helps keep the lines tight together, whilst the use of enjambment (where one line runs into the next with no punctuation) keeps the sense flowing.
The whole poem is an extended metaphor; the road is life, and it diverges, that is, splits apart, forks. There is a decision to be made and a life will be changed. Perhaps forever.
Whilst this is a reflective, thoughtful poem, it's as if the speaker is caught in two minds. He's encountered a turning point. The situation is clear enough - take one path or the other, black or white - go ahead, do it. But life is rarely that simple. We're human, and our thinking processes are always on the go, trying to work things out. You take the high road, I'll take the low road. Which is best?
So the tone is meditative. As this person stands looking at the two options, he is weighing up the pros and cons in a quiet, studied manner. The situation demands a serious approach, for who knows what the outcome will be?
All the speaker knows is that he prefers the road less travelled, perhaps because he enjoys solitude and believes that to be important. Or he's an individualist and prefers to set his own agenda. Whatever the reason, once committed, he'll more than likely never look back?
On reflection however, taking the road because it was grassy and wanted wear has made all the difference, all the difference in the worldi